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HERVISIONS (est. 2015) is a femme-focused curatorial agency facilitating online and offline experiences and collaborations with partners to research and produce innovative commissions, exhibitions and events with a strong focus on the intersection of art, technology and culture. HERVISIONS proudly curated the first ever augmented reality face filter exhibition to be held in an arts institute in Europe during the Lives of Net Art programme at Tate Modern, April 2019. HERVISIONS partnered with the Photographers' Gallery, Soho London for an augmented reality initiative called Open Space and commissioned artist Josèfa Ntjam first augmented reality solo show titled Underground Resistance - Living memories
Most recently HERVISIONS was invited to create a public digital artwork for the Radical Landscapes exhibition at the William Morris Gallery, October 2023 - February 2024.
"Wild Wired! Rewilding Encounters of Langthorne Park" is a groundbreaking, first of it's kind public artwork which aims to explore - digital rewilding combining community engagement, digital practices, gaming technologies, and advanced AI tools.
Previous collaborations, exhibitions, partners and organizations include:
Tate Modern, Tate Britain, arebyte, LUX, bitforms, Instagram, FURTHERFIELD, Saatchi Gallery, Snapchat, The Photographers Gallery, Spectacles, DAZED, Boiler Room, LN-CC, BFI, Creative Coding Utrecht, Gossamer Fog, The London College of Fashion, isthisit, Meta, Mira Festival, William Morris Gallery, Waltham Forest Borough and Google Arts and Culture.
A 3 day HERVISIONS programme and accompanying exhibition devised for LCF politics and design season addresses the current political moment within relational aesthetics, feminism, social sculpture, socio-parasitology and sonic journalism within technology based works and expanded broadcasting.Through installation, moving image, performance, and multidisciplinary interventions the three day takeover will bring together international artists to advocate for a diversified representation of identities across digital platforms.Through technology-based works and encounters, Suspended Power addressed different ways of broadcasting the constraints of marginalised groups of people tackling liminal spaces juxtaposed by invisible forces and powers within relational aesthetics, social sculpture, and sonic journalism. A mix of established and emerging artists, the works addressed the suspension of borders and trad systems of power, allowing for space to be reclaimed and refined – ultimately providing a platform for new activism through networks of practice.
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